Collection of watercolours by the British officer and artist Henry Byam Martin, executed during his stay in Egypt between 1834 and 1835. They are... Show moreCollection of watercolours by the British officer and artist Henry Byam Martin, executed during his stay in Egypt between 1834 and 1835. They are mostly topographical views of cities (Alexandria in particular), of the Nile, of antique site, such as Giza, Karnak, Philae, Luxor), as well as some specimens, and local costumes. Title and date from item. Manuscript ex-libris on the cover. Main Heritage Shelves General HC.GM.2014.0006 Book Item-ID: i22091555 BIB-ID: 2364010 Sarah Searight (2001). "Chapter 15: A Naval Tourist 1834–1840: Captain Henry Byam Martin". In Paul Starkey; Janet Starkey (eds.). Travellers in Egypt. I.B.Tauris. pp. 140–147 Show less
Public relationsCompagnie de navigation Nederland, Tourism, Tourism--Middle East--20th Century, Ocean liners, Ocean liners--Dutch--20th Century, Tourism, Tourism--Mediterranean Region--20th Century
Travel poster published by the Dutch navigation company "Nederland" advertising the services of the company in the Mediterranean. The poster... Show moreTravel poster published by the Dutch navigation company "Nederland" advertising the services of the company in the Mediterranean. The poster depicts the portrait of a young Middle Eastern man. On the foreground a coastline. Title from item, date devised by Library staff. Main Heritage Compact General HC.GM.P.2019.0098 2-D Graphic Item-ID: i26214428 BIB-ID: 2800292 Show less
Sketchbooks illustrate travels and excursions done in Egypt and Sudan by the British lady Florence Attwood Mathews, the second daughter of British... Show moreSketchbooks illustrate travels and excursions done in Egypt and Sudan by the British lady Florence Attwood Mathews, the second daughter of British writer and doctor James John Garth Wilkinson (1812 – 1899). The contents of the sketchbooks stretch over the period 1898–1916, with particular emphasis on January–March 1898 and November 1913–July 1914. Volume I largely tracks Attwood-Mathews’s Nile cruise in early 1898, when she travelled on the post steamer Amenartas from Cairo to Khartoum. She was interested in the ongoing Mahdist War and the British involvement in it: one watercolor portrays six British military officers from various regiments travelling on board the Amenartas, while another shows a boat towed behind the post steamer with troops on board. Similarly, in Volume II, Attwood-Mathews chose to paint a couple of landscapes as much for their role in the conflict as any aesthetic appeal. A vista of two hilltops viewed from the Nile is described as follows: “Where the battle of Toski was fought, under these hills”. Meanwhile, the view from her hotel balcony in Khartoum is accompanied by the following caption: “Sand dunes where our troops lay the night before the battle of Omdurrman [sic]”. Atwood-Mathews’ interest in the Mahdist War continued after the end of the conflict in 1899, as evident from the many newspaper clippings pasted into Volume I, the latest dated 1916. Most of these are concerned with the events of the war and the people involved in it and include general reports (“The Soudan Crisis”, “Sirdar’s speech to the troops”), political coverage such as Sir Reginald Wingate’s succession as Governor-General of Sudan, as well as several “Romance of the Sudan” stories concerning Joseph Ohrwalder, a Roman Catholic priest held captive by Mahdists for ten years. Two of the three photographs pasted into the sketchbook show Mahdist leaders captured by British-Egyptian forces; Attwood-Mathews identifies them as Emir Abu Zeid, Emir Mahmoud, Emir Yunis al-Dikaym, and Osman, Khalifa Abdallahi’s son. The third photograph depicts a ‘plane above an Egyptian crowd. Interspersed with the watercolors, clippings, and photographs are numerous signatures, cartes-de-visite, and occasional inscriptions of British military and administrative figures based in the Nile region, including Sir Archibald Hunter, British Army General and Governor of Omdurman; Colonel E. S. Stanton, the Governor of Khartoum; the Governor-General of Sudan Sir Reginald Wingate; G. E. Matthews, Governor of the Upper Nile Province; Colonel Colin Scott-Moncrieff; and James Henry Butler Pasha, soldier and Governor of the White Nile Province. Clearly, Attwood-Mathews had both interest in and access to many of the key British colonial figures established in Egypt and Sudan in the early 20th century. However, she was undoubtedly also intrigued by the history and culture of the region in general, as evident in the collection of signatures by Egyptologists, including Howard Carter, E. A. Wallis Budge, Ernest A. T. Wallis, and A. H. Sayce. While many watercolors in Volume I depict landscapes painted from the deck of the Amenartas, there are also views of the pyramids of Giza, streets in Cairo, Nag Hammadi, and Khartoum, the Sidi Arif Mosque in Sohag, windmills and feluccas spotted along the river, as well as several studies of the everyday life of local Egyptians and Sudanese. The watercolors in Volume II, predominantly dated between late 1913 and early 1914, show a similar range in subject matter. Sunrise and sunset panoramas of the landscape near Abu Girgeh, Nag Hammadi, Denderch, and Khartoum dominate. However, there are street views of Cairo, Aswan, and Khartoum, two studies of the ancient Egyptian temples of Wadi es-Sebua and Amada in their original location prior to the relocation in 1964 due to the Aswan Dam project, as well as two pleasant portraits of local boys in Khartoum. Also included in Volume II is a loosely inserted watercolor (253 × 177 mm), dated December 1905, depicting locals at the waterfront in Beni Hasan. Title and date devised by Library staff. Sketchbooks with a contemporary beige cloth, beige closure strap, brush holder to top edge of rear boards. All watercolours with pencilled captions on the adjacent leaves. Ticket of London-based artist’s equipment shop L. Cornelissen & Son to rear pastedowns. Volume I has 4 hieroglyphs and a central design of a scarab with spread wings hand-painted to front board; it is housed in a dark blue flat back cloth box. It consists of 38 full-page watercolours, numerous autographs, mounted cartes-de-visite, letters, newspaper clippings, 3 photographs; also with 5 loosely inserted items: 2 sketches, 1 letter, 1 envelope, and 1 autographed paper slip. Volume II has 16 full-page watercolours, 2 portraits, and 1 sketch. Main Heritage Compact General HC.GM.2017.0003.02 2-D Graphic Item-ID: i24384276 BIB-ID: 2555496 Show less
Vintage poster advertising Egypt as a tourist destination. Colorful poster with a stylized view of the pyramids under a starry night with two men... Show moreVintage poster advertising Egypt as a tourist destination. Colorful poster with a stylized view of the pyramids under a starry night with two men riding camels. In the foreground, the portrait of a child. Title from item, date devised by Library Staff. The poster is signed and tagged "S. Callen & Company Ltd. 20, Gerrard St. London W. I." Main Heritage Compact General HC.GM.P.2019.0065 2-D Graphic Item-ID: i26202384 BIB-ID: 2799334 Show less
Francis Frith dominated the photographic publishing industry in England in the late nineteenth century. As a photographer, he is known for the... Show moreFrancis Frith dominated the photographic publishing industry in England in the late nineteenth century. As a photographer, he is known for the hundreds of photographs he made in the Near East. He appears to have learned photography in the early 1850s and in 1853 was one of the founding members of the Liverpool Photographic Society. At age thirty-four Frith retired from his wholesale grocer business in Liverpool, to devote himself to personal interests which included photography. Between 1856 and 1860, he made three expeditions to Egypt, Sinai, Ethiopia, and Jerusalem, photographically documenting Middle Eastern architecture and culture. "On the first, he sailed up the Nile to the Second Cataract, recording the main historic monuments between Cairo and Abu Simbel. On the second, he struck eastwards to Palestine, visiting Jerusalem, Damascus, and other sites associated with the life of Christ. The final expedition was the most ambitious, combining a second visit to the Holy Land with a deeper southward penetration of the Nile. Frith photographed most of the key monuments several times, combining general views with close studies of their significant details and broader views of their landscape environment. Upon his return to London, Frith first published his photographs under the title Egypt and Palestine Photographed and Described, in two volumes with 76 photographs. Various other works followed, including this publication, the 1860 elephant folio edition by Mackenzie with 20 albumen images. This is one of the most renowned 19th-century photobooks and it is the largest book with the biggest, unenlarged prints ever published. Francis Frith ; with descriptions by Mrs. Poole and Reginald Stuart Poole. Title from item, date devised by Library staff. Albumen prints size 48.5 x 39 cm. Several prints are signed and dated iin the negative. Photographs are housed in a contemporary green half morocco with green cloth boards, spine in compartments with raised bands gilt, upper cover titled in gilt letters and gilt edges. Main Heritage Compact General HC.HP.2016.0103 2-D Graphic Item-ID: i23577241 BIB-ID: 2516375 Show less
The photograph portrays a group of fellaheen in front of their traditional mud-brick house. Title from item, date devised by Library staff. The... Show moreThe photograph portrays a group of fellaheen in front of their traditional mud-brick house. Title from item, date devised by Library staff. The photograph is signed, numbered (609) and titled in the negative. Main Heritage Compact General HC.HP.2017.0077 2-D Graphic Item-ID: i24469397 BIB-ID: 2537266 Show less
Clothing and dress, Clothing and dress--Egypt, Women, Women--Portraits
The photograph is a studio portrait of a fellah woman wearing a bisha, holding a fruit basket. Title from item; date devised by Library staff. The... Show moreThe photograph is a studio portrait of a fellah woman wearing a bisha, holding a fruit basket. Title from item; date devised by Library staff. The photograph is numbered (416). Main Heritage Compact General HC.HP.2017.0004 2-D Graphic Item-ID: i24093750 BIB-ID: 2537242 Show less
Sketchbooks illustrate travels and excursions done in Egypt and Sudan by the British lady Florence Attwood Mathews, the second daughter of British... Show moreSketchbooks illustrate travels and excursions done in Egypt and Sudan by the British lady Florence Attwood Mathews, the second daughter of British writer and doctor James John Garth Wilkinson (1812 – 1899). The contents of the sketchbooks stretch over the period 1898–1916, with particular emphasis on January–March 1898 and November 1913–July 1914. Volume I largely tracks Attwood-Mathews’s Nile cruise in early 1898, when she travelled on the post steamer Amenartas from Cairo to Khartoum. She was interested in the ongoing Mahdist War and the British involvement in it: one watercolor portrays six British military officers from various regiments travelling on board the Amenartas, while another shows a boat towed behind the post steamer with troops on board. Similarly, in Volume II, Attwood-Mathews chose to paint a couple of landscapes as much for their role in the conflict as any aesthetic appeal. A vista of two hilltops viewed from the Nile is described as follows: “Where the battle of Toski was fought, under these hills”. Meanwhile, the view from her hotel balcony in Khartoum is accompanied by the following caption: “Sand dunes where our troops lay the night before the battle of Omdurrman [sic]”. Atwood-Mathews’ interest in the Mahdist War continued after the end of the conflict in 1899, as evident from the many newspaper clippings pasted into Volume I, the latest dated 1916. Most of these are concerned with the events of the war and the people involved in it and include general reports (“The Soudan Crisis”, “Sirdar’s speech to the troops”), political coverage such as Sir Reginald Wingate’s succession as Governor-General of Sudan, as well as several “Romance of the Sudan” stories concerning Joseph Ohrwalder, a Roman Catholic priest held captive by Mahdists for ten years. Two of the three photographs pasted into the sketchbook show Mahdist leaders captured by British-Egyptian forces; Attwood-Mathews identifies them as Emir Abu Zeid, Emir Mahmoud, Emir Yunis al-Dikaym, and Osman, Khalifa Abdallahi’s son. The third photograph depicts a ‘plane above an Egyptian crowd. Interspersed with the watercolors, clippings, and photographs are numerous signatures, cartes-de-visite, and occasional inscriptions of British military and administrative figures based in the Nile region, including Sir Archibald Hunter, British Army General and Governor of Omdurman; Colonel E. S. Stanton, the Governor of Khartoum; the Governor-General of Sudan Sir Reginald Wingate; G. E. Matthews, Governor of the Upper Nile Province; Colonel Colin Scott-Moncrieff; and James Henry Butler Pasha, soldier and Governor of the White Nile Province. Clearly, Attwood-Mathews had both interest in and access to many of the key British colonial figures established in Egypt and Sudan in the early 20th century. However, she was undoubtedly also intrigued by the history and culture of the region in general, as evident in the collection of signatures by Egyptologists, including Howard Carter, E. A. Wallis Budge, Ernest A. T. Wallis, and A. H. Sayce. While many watercolors in Volume I depict landscapes painted from the deck of the Amenartas, there are also views of the pyramids of Giza, streets in Cairo, Nag Hammadi, and Khartoum, the Sidi Arif Mosque in Sohag, windmills and feluccas spotted along the river, as well as several studies of the everyday life of local Egyptians and Sudanese. The watercolors in Volume II, predominantly dated between late 1913 and early 1914, show a similar range in subject matter. Sunrise and sunset panoramas of the landscape near Abu Girgeh, Nag Hammadi, Denderch, and Khartoum dominate. However, there are street views of Cairo, Aswan, and Khartoum, two studies of the ancient Egyptian temples of Wadi es-Sebua and Amada in their original location prior to the relocation in 1964 due to the Aswan Dam project, as well as two pleasant portraits of local boys in Khartoum. Also included in Volume II is a loosely inserted watercolor (253 × 177 mm), dated December 1905, depicting locals at the waterfront in Beni Hasan. Title and date devised by Library staff. Sketchbooks with a contemporary beige cloth, beige closure strap, brush holder to top edge of rear boards. All watercolours with pencilled captions on the adjacent leaves. Ticket of London-based artist’s equipment shop L. Cornelissen & Son to rear pastedowns. Volume I has 4 hieroglyphs and a central design of a scarab with spread wings hand-painted to front board; it is housed in a dark blue flat back cloth box. It consists of 38 full-page watercolours, numerous autographs, mounted cartes-de-visite, letters, newspaper clippings, 3 photographs; also with 5 loosely inserted items: 2 sketches, 1 letter, 1 envelope, and 1 autographed paper slip. Volume II has 16 full-page watercolours, 2 portraits, and 1 sketch. Main Heritage Display General HC.GM.2017.0003.01 2-D Graphic Item-ID: i24384240 BIB-ID: 2555496 Show less
